Happy Monster Monday! I hope everyone’s had a great week. Here in Victoria, we were blessed with many sunny days and I’ve had a tough time staying inside to work (it’s been so much fun playing outside with the bobs of seals and the romps of otters— which, I’ve learned, are real terms for the families of these marine mammals! How cute is that? Oh, by the way, you can find me at “Kristy Durst Photography” on Facebook if you want to see glimpses of those adventures and more to come).
Nonetheless, I did manage to make some progress on the Curious Critter from last week, and as promised, I’m here to share the progress— so behold the first pass of colour. In case you missed last week’s blog, this is following the “Beginner’s Guide to Digital Drawing in Procreate” on 21-draw.com
And I hereby challenge you this week: go get creative or get out and play! Both are equally as important and nourishing…
Blocking out Colour on my Character Design in Procreate
While I have done digital art over the years, mostly for school assignments, my main mediums of choice have always been physical ones. Whether acrylics, pastels or colour pencils, I was drawn to holding tangible tools and creating something new with my bare hands. I don’t think that the pleasure of paper drawing will ever go away for me, and for a long time, I rebelled against digital art (just as I evaded digital photography after learning film and well, has THAT ever changed! Now I’m a digital photography adorer). There is something pure and simple about the traditional way of doing art and it is an invaluable practice to keep up. Yes— and also, everything has its place…
Over the past several years, I have been honing my skills as an illustrator, but not without frustration and setbacks. I was up against chronic pain, which limited my work time, and a lack of mastery in the mediums I had settled on using for my style of illustration. Yes, I could learn with time and training, but I often got stuck and discouraged in the process and I wasn’t putting out the content or finishing the projects that my heart so longed to get out into the world. It was a bit of a coincidence when I had the chance to try drawing on an iPad for the first time. Yes, I had tried a Wacom tablet back in University and later dabbled with the Apple Trackpad, but I found them extremely imprecise, frustrating and painful to draw with (they work for many people, but I have fussy wrists!).
Now, I’m not oblivious to the benefits, conveniences and beauty of digital art, but it wasn’t until I actually tried drawing with the iPad that I went, “Ohhhhhh, WOW! It’s just like drawing on paper!” Only with layers. And innumerable colour palettes at the click of a button. And so many other options including this artist’s favourite tool— the UNDO button! But wait, do all of these fancy tools and the ability to easily change or manipulate your images mean that digital artists are less skilled, fine-tuned or talented? I admit that I had this judgement for a while, like somehow giving into digital art would discredit me as an artist. But I beg to disagree with myself. To be a good artist, you need a set of creative talents and skills, say like precision, a sense of composition and colour theory, as well as in depth knowledge of your chosen medium. Well, how about that? All of these things apply to both physical and digital art! Knowing how to use your software is just as important as knowing how to use your paint and brush to achieve the effects you desire. Art, by any other name, is still art. An artist, no matter his or her medium, is still an artist.
What I discovered about creating digital art with the iPad is that it enables me to work more efficiently, thus not overdoing myself, while creating versatile art for my many applications (much of which is used or delivered digitally, so it streamlines my process). Procreate on the iPad has been a game changer. It has opened up the possibility for me to create so much more than before! And no, I don’t intend to give up on my watercolour and gouache and whatever other medium I feel like expressing in. It’s that I now know that both digital and traditional art have their proper uses and both can actually be enjoyed more because I can choose the one that is appropriate for my project’s/schedule’s/body’s needs. While more isn’t necessarily always better, it is when doing so makes you happy!
So I’m diving into this digital world, friends, with ferocious excitement and possibility! Over the last week, I’ve started growing my skills through 21-draw.com, an online membership site of illustration tutorials (with a handful specific to Procreate). I’m working through the “Beginner’s Guide to Digital Drawing in Procreate” which is how the first few stages of this little Curious Critter character design below came to be (I’ll post the final stages once I complete them). I’m learning some new tips, tools and techniques, getting some good practise in and, of course, having a blast! When learning is fun, you know you’re learning the right stuff.
In closing, yes, there will probably be controversy on the subject of digital vs traditional art, but these are the questions that I think will give you your own specific answer: what tools and mediums enable you to let your most creative, expressive, artistic self shine through? What will allow you to make art in a way that is feasible, accessible, efficient and effective for you and your unique applications, needs, barriers, skills, etc? So what do I think? I say, who cares how you create your art— JUST CREATE IT!
Hey everyone, I’d like you to meet the Self-Love Serpent. Self-Love Serpent, I’d like you to meet the people on the other end of the internets.
This little sweetheart has been a lesson in the making for a few different reasons, which I’d like to tell you about, but first she requires an intro. This slithering slinky is part of a project I recently started called “The Self-Love Deck for Monsters”. “The WHAT?” you ask. Think Tarot Deck, but the inspirational kind instead of traditional Tarot, and where each card features a creature with a hint of wisdom concerning self-love. Within the categories of the deck are the elemental sub-categories fire, water, air, earth, and ether. The card I sat down to work on about a month ago was “Self-Love” itself in the air element. What I first envisioned was something fuzzy and cute, swimming and swooping elegantly through the air, smiling, with a radiant heart.
What came out on paper, though, was somewhat of an unlikely candidate for the job. I was thinking of something like the flying dog from “The Neverending Story” movie, yet what materialized was…a snake? Now there’s nothing wrong with snakes, but they don’t exactly elicit a warm and fuzzy feeling for me, personally. While I don’t always have control over what my pencil does, I’m learning to trust it, so I went with it. In the end, I loved her. She was sweet, interesting, and could wrap her sleek figure around herself in a warm embrace until she had tied herself in knots of love. Her two tails, for me, represented both giving love as well as receiving it (which I’ve come to learn are two very different practices). Her scales would symbolize the multitude of aspects of herself, each which she had learned to love unconditionally. Hence was born the Self-Love Serpent. I couldn’t have planned her this well. Lesson one— trust yourself and your pencil, as strange as either’s guidance may seem at the time.
Okay, so I’m not used to drawing creatures that can pretzelize themselves, and after drawing her and falling for her, I realized (due to the feedback from a close artist friend) that I’d drawn her without much thought and her anatomy made no sense. Her twists and turns didn’t work, her spine was impossible, and her “spikes” were pointing the wrong direction on her tails… in short, she was an anatomical mess. DOH! I so liked how her lines worked as she was! But being the perfectionist that I am, I took to figuring out the puzzle of her serpentine bodice. Well, she became a gruelling group effort involving that same friend, my family and my boyfriend. We became Team-Serpent as I drew, erased, redrew her lines, until finally we got her straightened—or not so straightened— out (thanks team!). Much better! And I needed only to misplace a bit of my sanity and a few too many sleeping hours in the process… ahem. Lesson two— it’s okay to make mistakes, get feedback, and ask for help! Even (especially?) if you have to hear something you don’t like in the process.
Playing with Style and Medium
Finally, when her lead outlines were exacted in a way that filled me with delight, as interesting lines on paper do, she was ready to paint. This became a whole other undertaking. You’d think I’d never painted before, but I’d just locked down hard on “solidifying my style” and thus was putting a lot of importance on this painting. I’ve been using gouache for a number of years now but when I consulted the aforementioned friend, she informed me that I was using the wrong medium for the style I was trying to achieve. Back I went to watercolour; a medium I’d first started using for my illustrations a decade earlier, and realized it did work better for my desired results! My homework was to play around with painting, doing so more freely and sloppily and even more outside of the lines (sorry Granny!). As someone who despises redoing things, this was tough for me, but I decided to paint multiple versions of the same picture, each as quickly as I could, to practise (see image above). Well, voila, I am getting closer and closer to what I want with my medium, style and speed of painting. Yeah yeah, practise makes perfect, right? But seriously, the slogan warrants some credit. Lesson three— don’t be afraid to break the mould, try something new, and step out of your comfort zones. You never know where it will bring you.
In the end, here she floats in all her grace: The Self-Love Serpent. And along with all her bizarreness, frustrations and imperfections, she loves herself completely— and she inspires me to do the same!
“The Self-Love Serpent”
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